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You can see this tendency in the Rodrigo copycat video, but it has its roots in websites like TV Tropes. Ironically, the very internet that has facilitated our ability to outline and delineate these similarities is the same one that gave artists their long list of influences to mash up and puree. Yet when we talk about art, especially on the internet, we too often assume that if we can spot any similarities between one work and another, earlier work, the artist who came second has failed some originality test. JMEnternational for BRIT Awards/Getty ImagesĪ paradox of the way millennials and Gen-Zers approach art is that most millennial and Gen Z artists, steeped in internet culture as we are (yes, fellow kids, I am a millennial), have a seemingly infinite wellspring of influences to draw from, and then we mash up those influences in increasingly baroque ways. But Swift’s own early work showed lots of influence from ‘90s country artists. Olivia Rodrigo clearly adores Taylor Swift. Even works we call “original” subvert and remix other works. Originality in culture largely doesn’t exist.
But I would argue we’re also looking for that originality in the wrong place.
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There’s a fine line between “plagiarism” and “paying homage,” but most good artists (including Rodrigo) know exactly how to stay on the right side of it.Īnd anyway, the bigger question at hand is: Why, in an era where a sprawling amount of human artistic expression is available to us in a mere number of clicks, are we so obsessed with “originality”? The easy answer is that we’re looking for something that stands out amid the sprawling amount of human artistic expression available to us in a mere number of clicks. That’s all Olivia Rodrigo is up to, and while she’s being criticized because she’s a hot star of the moment, it’s a criticism that shouldn’t really hold water, no matter which artist is being accused. All art is built out of other art, and what makes it original is the way an artist remixes and recombines the things that have inspired them. The main reason I’m so skeptical of the “copycat” argument, however, is that even if Rodrigo has made her influences very clear, there’s not really anything wrong with that. If we accept the premise of the argument - Olivia Rodrigo is a big ol’ copycat - then shouldn’t at least some of the responsibility lie with the other people working with her who have surely heard of Taylor Swift and/or Billie Eilish? Plus, any blame for at least some of the “rip-offs” featured in the video should be distributed equally among Rodrigo’s collaborators, like co-writer Daniel Nigro or “Good 4 U” video director Petra Collins.
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Though her singles are great, I think her album swings too wildly and too often between “pop-punk rave-up” and “plaintive ballad.” Still, she’s clearly an incredibly talented young songwriter who will have every opportunity to forge a long, fruitful career full of catchy songs whose hooks are hard to deny. My skepticism about all of this doesn’t stem from a desire to defend Rodrigo. At least in this case, Love has occasionally seemed like she might be having fun with the whole thing and isn’t too upset about it. Lsdu0LQkqp- Honey Cutt June 24, 2021Ĭourtney Love has also bristled at the similarities of a recent Rodrigo promo image to the cover of Live Through This, the landmark 1994 album by Love’s band Hole. I’m not sure “dressing as a cheerleader” rises to the level of copycatting, but the addition of long latex gloves. Other viral social media posts have accused Rodrigo of ripping off key elements of her aesthetic, particularly in the “Good 4 U” music video, from the indie band Pom Pom Squad. (Though not all! Despite the protestations of several of my colleagues, I continue to not hear how “Good 4 U” and Paramore’s “Misery Business” are all that similar.) So consider my own eyebrows partially raised on most counts. Swift has even kinda sorta adopted Rodrigo as one of her artistic children, which is sweet.īut the other examples in the video are probably close enough to raise eyebrows, at least a little bit.
At least one piece of “evidence” in the video is just a sample - the piano backing track from Swift’s 2017 song “New Year’s Day” pops up in Rodrigo’s 2021 song “1 Step Forward, 3 Steps Back,” and both Swift and her co-writer Jack Antonoff are consequently credited as co-songwriters on the Rodrigo track. I think that conclusion is worth being skeptical of. “NO ORIGINALITY, ALL SHE DOES IS COPY!” concludes the video, and after watching it, you could well be tempted to reach the same conclusion yourself. Oh they got her tea /UOvsDqCDcU- June 27, 2021
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